Full details for LGBT 2232 - Queer Pop from the Stonewall Uprising to the Millennium

Dragons? Spaceships? Bodies that change gendered characteristics at will? Vampire archivists? Speculative fiction (sci fi, fantasy) imagines the world not as it is but as it should be. It can imagine worlds where trans, non-binary, and gender nonconforming people thrive without danger or difficulty (and has done so for a long time). What do such worlds look like? How does it feel to read narratives where the gender binary does not work the way it does in our present day? This course surveys very recent trans- and non-binary-authored narratives. Readings may include (Cornell alumna) Ryka Aoki's Light from Uncommon Stars, Isaac Fellman's Dead Collections (the trans vampire archivists), and short stories by authors like Torrey Peters and Daniel Lavery. Visits from authors being planned.

Full details for LGBT 2535 - Issues in Contemporary Fiction: Trans Utopias and Genderqueer Science Fiction

Full details for LGBT 3318 - Virtual Music

What are comics? While it's easy to identify a cartoon, graphic novel, or comic book, it's hard to understand the wide world of comics. As a medium, comics are part of a global tradition of visual storytelling and sequential art, including premodern tapestries, early modern pamphlets, and modern children's books, political cartoons, and animated films. With a focus on the German-speaking world, we will examine a wide range of comics genres (e.g., fiction, history, autobiography, journalism, comix) and formats (e.g., books, strips, pamphlets, zines). Our discussions will address questions of taste, aesthetics, materiality, censorship, representation, and word-image relations. While we will primarily be reading and writing about comics and comics studies, students will also gain some exposure to making comics.

Full details for LGBT 3555 - Comics as a Medium

This course engages classical antiquity and its reception through the prism of queer studies. Cruising Homer, Sappho, Euripides, Plato, Ovid and more, we will explore how queer theoretical frameworks help us account for premodern queer and trans bodies, desires, experiences, and aesthetics. We will trace how people historically have engaged with the classical past in political and affective projects of writing queer history and literature, constructing identities and communities, and imagining queer futures. We will unpack how classical scholarship might reproduce contemporary forms of homophobia and transphobia in its treatments of gender, sexuality, and embodiment in the classical past, and in turn how modern uses of the classical might reinforce or dismantle exclusionary narratives around 'queerness' today as it intersects with race, gender, sexuality, and class. Finally, we will consider how the work we are doing in this class (where the 'Queer' in 'Queer Classics' may be taken as an adjective or an imperative) relates to the ways that contemporary writers, activists, artists, and performers have animated the classical past with queer possibilities. All readings will be in translation; no knowledge of Latin and Greek is required.

Catalog Distribution: (ALC-AS, SCD-AS) (CA-AG, D-AG, LA-AG)

Full details for LGBT 3635 - Queer Classics

Individual study program intended for juniors and seniors working on special topics with selected reading or research projects not covered in regularly scheduled courses. Students select a topic in consultation with an LGBT Studies faculty member who has agreed to supervise independent study.

Full details for LGBT 3990 - Undergraduate Independent Study

How do queer people make family? What cultural and artistic practices sustain queer bonds? To answer these questions, this course examines queer and trans kinship narratives across a range of genres, including literature, film, television, and critical theory. We will theorize kinship's relationship to cis-heteronormativity, capitalism, white supremacy, and colonialism, and debate whether queer and trans kinships can model new political forms.

Full details for LGBT 4705 - How to Make Queer Kin: Sustaining Bonds in LGBTQ Culture

An understanding of performance as object and lens, modality and method, is integral to scholarship and research across the humanities and social sciences. Charting the advent and defining principles of performance studies, this course explores the interdisciplinary history of the field, including its association with anthropology, visual studies, theater, gender studies, sociology, psychology, literature, philosophy, and critical race studies. This class examines performance as a means of creative expression, a mode of critical inquiry, and an avenue for public engagement. We will attend to both the practice of performance - as gesture, behavior, habit, event, artistic expression, and social drama - and the study of performance - through ethnographic observation, spectatorship, documentation, reproduction, analysis, and writing strategies. Through a study of research paradigms and key issues related to performance, we will explore not only what this highly contested term "is" and "does," but when and how, for whom, and under what circumstances.

Catalog Distribution: (ALC-AS) (CA-AG, LA-AG)

Full details for LGBT 4835 - Performance Studies: Theories and Methods

How do queer people make family? What cultural and artistic practices sustain queer bonds? To answer these questions, this course examines queer and trans kinship narratives across a range of genres, including literature, film, television, and critical theory. We will theorize kinship's relationship to cis-heteronormativity, capitalism, white supremacy, and colonialism, and debate whether queer and trans kinships can model new political forms.

Full details for LGBT 6705 - How to Make Queer Kin: Sustaining Bonds in LGBTQ Culture