Courses

An introduction to the anthropology of sex, sexuality and gender, this course uses case studies from around the world to explore how the worlds of the sexes become gendered. In ethnographic, ethnohistorical and contemporary globalizing contexts, we will look at: intersexuality and supernumerary genders; physical and cultural reproduction; sexuality; and sex-based and gender-based violence and power. We will use lectures, films, discussion sections and short field-based exercises.

Full details for LGBT 2421 - Worlding Sex and Gender

How have movements for sexual liberation used performance as a means of self-expression and strategies for social justice? How have theatrical stages served as sites of queer sociality and crucibles of invention, where history is made and remade by social actors?

Full details for LGBT 3250 - Staging Gay and Transgender Histories

In A Theory of Parody, Linda Hutcheon defines parody broadly as "repetition with critical difference, which marks difference rather than similarity." Taking a cue from Hutcheon, we will consider parody as a form of meaning making that is not necessarily used in the service of ridicule. Rather, we will examine a number of late-twentieth- and early-twenty-first-century imitative works in order to distinguish the rich variety of political agendas and aesthetic rationales for recent parody. An emphasis on postmodern or contemporary performances and media that renovate images, ideas, and icons from modernism and modernity will unite our otherwise diverse efforts. Some of these efforts will also highlight what happens when an artist takes up a work made for one platform (for example, theatre, performance art, installation, cinema, television, the Web) and parodies it in another. Creators and works under consideration may range from Christopher Durang, Split Britches, and Pig Iron Theatre Company to The Simpsons, Cookie's Fortune, and Strindberg and Helium.

Full details for LGBT 3740 - Parody

Individual study program intended for juniors and seniors working on special topics with selected reading or research projects not covered in regularly scheduled courses. Students select a topic in consultation with an LGBT Studies faculty member who has agreed to supervise independent study.

Full details for LGBT 3990 - Undergraduate Independent Study

As a symbolic system and field of practice, kinship produces configurations of sexuality, gender, race and power embodied by persons. This recognition is indebted to critical race, feminist, postcolonial and queer interventions in the field of kinship studies. In this course we will review key texts in this field beginning with classic anthropological theories of kinship. We will consider the variability of sanctioned arrangements of sexuality, procreation, household labor and economy across the historical and ethnographic record. Focusing on this variation, we will pose relatedness as a question. Which lives, forms of desire, modes of embodiment are enabled, and which are abjected through the grammar of kinship at work in a particular place and time? What possibilities of life lie outside dominant kinmaking practices? What pleasures and what costs does exile from kinship entail?

Full details for LGBT 4432 - Queer Theory and Kinship Studies

Examines the new cinemas of Southeast Asia and their engagement with contemporary discourses of gender and sexuality. It pays special attention to the ways in which sexuality and gendered embodiment are at present linked to citizenship and other forms of belonging and to how the films draw on Buddhist and Islamic traditions of representation and belief. Focusing on globally circulating Southeast Asian films of the past 15 years, the course draws on current writings in feminism, Buddhist studies, affect theory, queer studies, postcolonial theory, and film studies to ask what new understandings of subjectivity might emerge from these cinemas and their political contexts. Films are drawn from both mainstream and independent cinema and will include the work of directors such as Apichatpong Weerasethakul, Danny and Oxide Pang, Yau Ching, Thunska Pansittivorakul, Garin Nugroho, and Jean-Jacques Annaud.

Full details for LGBT 4451 - Gender and Sexuality in Southeast Asian Cinema

This course investigates how sexuality, broadly conceived, is produced, represented, and enacted through a variety of media. We will consider how groups of people collectively produce their erotic identifications, practices, and connections through media and in space. These affinities may be transient or life-long, co-present or virtual, of the majority or marginalized. Rather than assuming sex is a private matter, we will analyze the ways sexuality is constituted through media engagements, in physical and online spaces, and in the ways that mediated desire play out in broad movements of consumerism and neoliberal aspirations. We will consider sexual cultures from a transnational perspective and in historical context. The course will address how structural hierarchies such as gender, race, sexual identification, and location help to shape sexual media.

Full details for LGBT 6301 - Media and Sexuality

Examines the new cinemas of Southeast Asia and their engagement with contemporary discourses of gender and sexuality. It pays special attention to the ways in which sexuality and gendered embodiment are at present linked to citizenship and other forms of belonging and to how the films draw on Buddhist and Islamic traditions of representation and belief. Focusing on globally circulating Southeast Asian films of the past 15 years, the course draws on current writings in feminism, Buddhist studies, affect theory, queer studies, postcolonial theory, and film studies to ask what new understandings of subjectivity might emerge from these cinemas and their political contexts. Films are drawn from both mainstream and independent cinema and will include the work of directors such as Apichatpong Weerasethakul, Danny and Oxide Pang, Yau Ching, Thunska Pansittivorakul, Garin Nugroho, and Jean-Jacques Annaud.

Full details for LGBT 6331 - Gender and Sexuality in Southeast Asian Cinema

How have movements for sexual liberation used performance as a means of self-expression and strategies for social justice? How have theatrical stages served as sites of queer sociality and crucibles of invention, where history is made and remade by social actors?

Full details for LGBT 6755 - Staging Gay and Transgender Histories

As a symbolic system and field of practice, kinship produces configurations of sexuality, gender, race and power embodied by persons. This recognition is indebted to critical race, feminist, postcolonial and queer interventions in the field of kinship studies. In this course we will review key texts in this field beginning with classic anthropological theories of kinship. We will consider the variability of sanctioned arrangements of sexuality, procreation, household labor and economy across the historical and ethnographic record. Focusing on this variation, we will pose relatedness as a question. Which lives, forms of desire, modes of embodiment are enabled, and which are abjected through the grammar of kinship at work in a particular place and time? What possibilities of life lie outside dominant kinmaking practices? What pleasures and what costs does exile from kinship entail?

Full details for LGBT 7432 - Queer Theory and Kinship Studies