Feminist, Gender & Sexuality Studies
and Lesbian, Gay, Bisexual & Transgender Studies
*This page is still being updated for Fall 2025!
FWS: Topics in Feminist, Gender & Sexuality Studies - FGSS 1100. This course offers students the opportunity to study a wide range of fields from the perspectives of feminist and LGBT critical analysis, in a global context and with the purpose of promoting social justice. Our first-year writing seminars investigate how gender and sexuality are embedded in cultural, social, and political formations. FGSS pays close attention to the complex structures of power and inequality, tracing intersections and relationships among sexuality, race, class, age, ethnicity, and other aspects of identity within their specific contexts of history and geography. Topics vary by section.
Introduction to Feminist, Gender & Sexuality Studies – FGSS 2010. Feminist, Gender & Sexuality Studies is an interdisciplinary program focused on understanding the impact of gender and sexuality on the world around us and on the power hierarchies that structure it. This course provides an overview of key concepts, questions, and debates within feminist studies both locally and globally, focusing mainly on the experiences, historical conditions, and concerns of women as they are shaped by gender and sexuality. We will read a variety of texts--personal narratives, historical documents, and cultural criticism--across a range of disciplines, and will consider how larger structural systems of both privilege and oppression affect individuals' identities, experiences, and options. We will also examine forms of agency and action taken by women in the face of these larger systems.
Television - FGSS 2160 (also PMA 2660). In this introductory course, participants will study the economic and technological history of the television industry, with a particular emphasis on its manifestations in the United States and the United Kingdom; the changing shape of the medium of television over time and in ever-wider global contexts; the social meanings, political stakes, and ideological effects of the medium; and the major methodological tools and critical concepts used in the interpretation of the medium, including Marxist, feminist, queer, and postcolonial approaches. Two to three hours of television viewing per week will be accompanied by short, sometimes dense readings, as well as written exercises.
Queer Pop from the Stonewall Uprising to the Millennium - FGSS/LGBT 2232 (also MUSIC 2232). This course will survey the history and US political contexts of LGBTQ+ identities in popular music over three critical decades. We will cover the 1970s era of gay liberation and visibility with glam rock, first-wave punk, women’s music, and disco; the mainstreaming of queer sensibility in dance pop, new wave, and voguing in the neoliberal 1980s; and 1990s rise of queer theory, AIDS epidemic, “don’t ask don’t tell,” and queer activism reflected in queercore, crypto-queer alternative rock, and coded music videos. We will also consider how these past expressive strategies are referenced and extended in later and current queer pop. No prerequisites
Digital Feminism and Race - FGSS 2723 (also COML 2723). This course raises profound theoretical questions about embodiment, agency, power, and race in virtual spaces. How do digital identities, in their intersection with something called race, interact with physical bodies and material conditions? What are the possibilities and limitations of digital technologies in creating emancipatory futures for raced life? In tackling these questions, the interdisciplinary course explores key dimensions of digital feminism, including activism and advocacy, community building, critique of digital culture, critique of techno-capitalism, call for inclusive design, and artistic and cultural productions.
Feminist Theory – FGSS 3000. This course will work across and between the disciplines to consider what it might mean to think 'as a feminist' about many things including, but not limited to 'gender', 'women' and 'sexuality'. We will approach theory as a tool for analyzing relations of power and a means of transforming ways of thinking and living. In particular, we will investigate the cultural, social, and historical assumptions that shape the possibilities and problematics of gender and sexuality. Throughout we will attend to specific histories of class, race, ethnicity, culture, nation, religion and sexuality, with an eye to their particular incitements to and challenges for feminist thinking and politics. I
Virtual Music - FGSS/LGBT 3318 (also MUSIC 3318). This course surveys the histories, aesthetics, and politics of music and virtuality, focusing on contemporary manifestations of “virtual music” since the 2010s. We will learn about how music is created, performed, and consumed in virtual environments, focusing specifically on questions of embodiment and identity. Case studies will include virtual and augmented reality concerts; musical performances in video games; virtual bands; and Web3/blockchain music. We will pay particular attention to the ties between virtual worlds, musical aesthetics, and queer and trans community building. Students will learn how to conduct digital musical ethnography and will complete participant observation-based final projects in a virtual music community.
Gospel and The Blues: A Black Women's History I, 1900-1973 – FGSS 3322 (also ASRC 3322). In her pathbreaking text Wayward Lives, Beautiful Experiments: Intimate Histories of Social Upheaval Saidiya Hartman writes that "young Black women were radical thinkers who tirelessly imagined other ways to live and never failed to consider how the world might be otherwise." This two-semester course endeavors to travel through those worlds using the cultural and musical forms of gospel and the blues as our compass. The first semester is guided by the work of scholars and writers like Angela Davis, Hazel Carby, Alice Walker, and Gayl Jones and artists like Ethel Waters, Bessie Smith, Victoria Spivey, and Sister Rosetta Tharpe. Together we will interrogate the spectrum of lived experiences making for a kaleidoscopic sonic history of joy, pleasure, sorrow, resistance, and everything in between.
(Dis)ability Studies: A Brief History - FGSS 3520 (also FREN 3520). This course will offer an historical overview of responses to bodily and cognitive difference. What was the status of the monster, the freak, the abnormal, the (dis)abled, and how are all of these concepts related? How have we moved from isolation and institutionalization towards universal design and accessibility as the dominant concepts relative to (dis)ability? Why is this shift from focusing on individual differences as a negative attribute to reshaping our architectural and more broadly social constructions important for everyone? What are our ethical responsibilities towards those we label as “disabled”? Authors to be studied include: Ambroise Paré, Emmanuel Levinas, Georges Canguilhem, Michel Foucault, Lennard Davis, Tobin Siebers, Simon Baron-Cohen.
Queer Classics – FGSS 3636 (also CLASS/LGBT/SHUM 3635). This course engages classical antiquity and its reception through the prism of queer studies. Cruising Homer, Sappho, Euripides, Plato, Ovid and more, we will explore how queer theoretical frameworks help us account for premodern queer and trans bodies, desires, experiences, and aesthetics. We will trace how people historically have engaged with the classical past in political and affective projects of writing queer history and literature, constructing identities and communities, and imagining queer futures. We will unpack how classical scholarship might reproduce contemporary forms of homophobia and transphobia in its treatments of gender, sexuality, and embodiment in the classical past, and in turn how modern uses of the classical might reinforce or dismantle exclusionary narratives around 'queerness' today as it intersects with race, gender, sexuality, and class. Finally, we will consider how the work we are doing in this class (where the 'Queer' in 'Queer Classics' may be taken as an adjective or an imperative) relates to the ways that contemporary writers, activists, artists, and performers have animated the classical past with queer possibilities. All readings will be in translation; no knowledge of Latin and Greek is required.
The Body Politic in Asia - FGSS 4127 (also HIST 4127). Visions of bodily corruption preoccupy ruler and ruled alike and prompt campaigns for moral, medical, and legal reform in periods of both stability and revolution. This seminar explores the links between political, sexual, and scientific revolutions in early modern and modern Asia. The focus is on China and Japan, with secondary attention to South Asia and Korea. Interaction with the West is a major theme. Topics include disease control, birth control and population control, body modification, the history of masculinity, honorific violence and sexual violence, the science of sex, normative and stigmatized sexualities, fashion, disability, and eugenics. The course begins with an exploration of regimes of the body in “traditional” Asian cultures. The course then turns to the medicalization and modernization of the body under the major rival political movements in Asia: feminism, imperialism, nationalism, and communism.
Black Women’s Autobiography in the 21st Century Writing Her Story – FGSS 4212 (also ASRC 4212). In this course, we will focus on how black women have continued to write and share their personal stories in the new millennium by examining autobiographies that they have produced in the first years of the twenty-first century. More broadly, we will consider the impact of this writing on twenty-first century African American literature, as well as African diasporan writing in Africa and the Caribbean. In the process, we will draw on a range of critical and theoretical perspectives. We will read memoirs and autobiographies by a range of figures, including Michelle Obama, Jennifer Lewis, Monica Coleman, Serena Williams, Gabrielle Union, and Tiffany Haddish, among others.
Gender, Sexuality, and the U.S. in the World - FGSS 4265 (HIST 4265). The field of gender history is one of the most dynamic taught across universities today. No longer simply the history of women, gender history now includes the history of men and masculinities, queer studies and theory, the history of sex and sexuality, and trans studies. Historians writing about gender and sexuality have been at the forefront of some of the most important recent interventions in U.S. history, from the transnational, cultural, and postmodern turns, to the histories of language, labour, and capitalism. Against the backdrop of the #MeToo Movement, gender history has been imbued with renewed vigour, as scholars seek to understand what new insights in our present moment might reveal about the past. In this seminar, we will explore the intertwined histories of sex, sexuality, and gender at the intersection of other major themes in American history: race, labour, empire, and the state. What does U.S. history look like if we place bodies at the centre of our narratives? How has the legacy of sexual violence in plantation slavery underwritten the systems – such as private property, white supremacy, and carcerality -- that structure modern American society? To what extent has the United States’ foreign policy been motivated by what the scholar Gayatri Spivak described as the desire of white men to save brown women from brown men? Uncovering the pasts of the most marginalised historical actors – enslaved women, rape victims, trans and queer people – requires innovative methodologies and new relationships to the archive. In this seminar, then, we will also think about how we do gender history, and develop tools for reading and researching that take us beyond the boundaries of the written record and into the realm of the speculative, the spectral, and the imaginary.
Sociology of Sex and Gender – FGSS 4371 (also SOC 4370). This course provides an introduction to the theoretical and empirical literature on the sociology of sex and gender. The readings cover theory and methods, feminism, masculinity, intersectionality, international/comparative perspectives, gender roles, and recent sociological research in this area.
Girls, Women, and Education in Global Perspective: Feminist Ethnography and Praxis - FGSS 4458 (also ANTHR 4458). This seminar explores and compares the educational and schooling experiences of young women and girls through an array of ethnographic studies conducted in different regions of the world. Drawing on the fields of anthropology of education and feminist studies, we examine how girls and young women construct gender identities and ways of knowing through prisms of race, ethnicity, sexuality, class, language, nation and citizenship. Second, we inquire into how gendered notions of development and state sanctioned forms of structural and symbolic violence, impact young women's educational experiences and opportunities, and how they in turn respond. Lastly, we consider young women as learners who craft their own lives and literacies across borders and diverse spaces of home, school, community, and peer group.
Women and the Economy - FGSS 4460 (also ILRLE 4450). Examines the changing economic roles of women and men in the labor market and in the family. Topics include a historical overview of changing gender roles, the determinants of the gender division of labor in the family, trends in female and male labor-force participation, gender differences in occupations and earnings, the consequences of women’s employment for the family, and a consideration of women’s status in other countries.
Performance Studies: Theories and Methods – FGSS 4835 (also LGBT/PMA 4835). Charting the advent and defining principles of performance studies, this course explores the interdisciplinary history of the field, including its association with anthropology, visual studies, theater, gender studies, sociology, psychology, literature, philosophy, and critical race studies. This class examines performance as a means of creative expression, a mode of critical inquiry, and an avenue for public engagement. We will attend to both the practice of performance - as gesture, behavior, habit, event, artistic expression, and social drama - and the study of performance - through ethnographic observation, spectatorship, documentation, reproduction, analysis, and writing strategies. Through a study of research paradigms and key issues related to performance, we will explore not only what this highly contested term "is" and "does," but when and how, for whom, and under what circumstances.
Graduate Level Classes:
The Body Politic in Asia - FGSS 6127 (also HIST 6127). Visions of bodily corruption preoccupy ruler and ruled alike and prompt campaigns for moral, medical, and legal reform in periods of both stability and revolution. This seminar explores the links between political, sexual, and scientific revolutions in early modern and modern Asia. The focus is on China and Japan, with secondary attention to South Asia and Korea. Interaction with the West is a major theme. Topics include disease control, birth control and population control, body modification, the history of masculinity, honorific violence and sexual violence, the science of sex, normative and stigmatized sexualities, fashion, disability, and eugenics. The course begins with an exploration of regimes of the body in “traditional” Asian cultures. The course then turns to the medicalization and modernization of the body under the major rival political movements in Asia: feminism, imperialism, nationalism, and communism.
Gender, Sexuality, and the U.S. in the World - FGSS 6265 (also HIST 6265). The field of gender history is one of the most dynamic taught across universities today. No longer simply the history of women, gender history now includes the history of men and masculinities, queer studies and theory, the history of sex and sexuality, and trans studies. Historians writing about gender and sexuality have been at the forefront of some of the most important recent interventions in U.S. history, from the transnational, cultural, and postmodern turns, to the histories of language, labour, and capitalism. Against the backdrop of the #MeToo Movement, gender history has been imbued with renewed vigour, as scholars seek to understand what new insights in our present moment might reveal about the past. In this seminar, we will explore the intertwined histories of sex, sexuality, and gender at the intersection of other major themes in American history: race, labour, empire, and the state. What does U.S. history look like if we place bodies at the centre of our narratives? How has the legacy of sexual violence in plantation slavery underwritten the systems – such as private property, white supremacy, and carcerality -- that structure modern American society? To what extent has the United States’ foreign policy been motivated by what the scholar Gayatri Spivak described as the desire of white men to save brown women from brown men? Uncovering the pasts of the most marginalised historical actors – enslaved women, rape victims, trans and queer people – requires innovative methodologies and new relationships to the archive. In this seminar, then, we will also think about how we do gender history, and develop tools for reading and researching that take us beyond the boundaries of the written record and into the realm of the speculative, the spectral, and the imaginary.
Sociology of Sex and Gender - FGSS 6371 (also SOCI 6370). This course provides an introduction to the theoretical and empirical literature on the sociology of sex and gender. The readings cover theory and methods, feminism, masculinity, intersectionality, international/comparative perspectives, gender roles, and recent sociological research in this area.
Performance Studies: Theories and Methods - FGSS 6835 (also PMA 6835). Charting the advent and defining principles of performance studies, this course explores the interdisciplinary history of the field, including its association with anthropology, visual studies, theater, gender studies, sociology, psychology, literature, philosophy, and critical race studies. This class examines performance as a means of creative expression, a mode of critical inquiry, and an avenue for public engagement. We will attend to both the practice of performance - as gesture, behavior, habit, event, artistic expression, and social drama - and the study of performance - through ethnographic observation, spectatorship, documentation, reproduction, analysis, and writing strategies. Through a study of research paradigms and key issues related to performance, we will explore not only what this highly contested term "is" and "does," but when and how, for whom, and under what circumstances.
Girls, Women, and Education in Global Perspective: Feminist Ethnography and Praxis - FGSS 7458 (also ANTHR 7458). This course explores the rich and diverse history of women’s participation in the motion picture industry. Focusing on women directors within a global context from the silent era to the present, this class considers the historical, cultural, and industrial factors that shape their films’ production, distribution, and exhibition. Students will consider the political, aesthetic, stylistic, and formal qualities of films directed by women while placing them within national, cultural, institutional, and economic contexts. By watching, analyzing, and reading about films directed by women, students will gain a deeper knowledge of film history, feminist film culture, and feminist theory and criticism.
