Courses

In this course we will examine LGBTQ+ history in the United States with a focus on its recovery and public representation—what are the stakes of researching, preserving, and commemorating the LGBTQ+ past? We will investigate how archival, scholarly, curatorial, and creative practices shape popular conceptions of LGBTQ+ life, politics, and culture, and how those practices and conceptions have changed with evolving understandings of race, gender, sexuality, and oppression. Students will build skills in archival research and historical interpretation and explore possibilities and challenges in building archives and presenting LGBTQ+ history in a variety of public contexts—museums, libraries, monuments, movies and television, and community-based oral history projects. For their final project, students will locate and research a selection of archival materials (periodicals, letters, pamphlets, songs, advertisements, etc.) either online or at Cornell Library's Rare and Manuscript Collections, producing a final research paper and a proposal for a public history project.

Full details for LGBT 2335 - Making Public Queer History

In this course, we will critically examine the production and performance of race, ethnicity, sexuality, and gender through literature and contemporary performance genres such as spoken word, slam poetry, and hip-hop theatre.

Full details for LGBT 3754 - Spoken Word, Hip-Hop Theater, and the Politics of Performance

Examines the new cinemas of Southeast Asia and their engagement with contemporary discourses of gender and sexuality. It pays special attention to the ways in which sexuality and gendered embodiment are at present linked to citizenship and other forms of belonging and to how the films draw on Buddhist and Islamic traditions of representation and belief. Focusing on globally circulating Southeast Asian films of the past 15 years, the course draws on current writings in feminism, Buddhist studies, affect theory, queer studies, postcolonial theory, and film studies to ask what new understandings of subjectivity might emerge from these cinemas and their political contexts. Films are drawn from both mainstream and independent cinema and will include the work of directors such as Apichatpong Weerasethakul, Danny and Oxide Pang, Yau Ching, Thunska Pansittivorakul, Garin Nugroho, and Jean-Jacques Annaud.

Full details for LGBT 4451 - Gender and Sexuality in Southeast Asian Cinema

Examines the new cinemas of Southeast Asia and their engagement with contemporary discourses of gender and sexuality. It pays special attention to the ways in which sexuality and gendered embodiment are at present linked to citizenship and other forms of belonging and to how the films draw on Buddhist and Islamic traditions of representation and belief. Focusing on globally circulating Southeast Asian films of the past 15 years, the course draws on current writings in feminism, Buddhist studies, affect theory, queer studies, postcolonial theory, and film studies to ask what new understandings of subjectivity might emerge from these cinemas and their political contexts. Films are drawn from both mainstream and independent cinema and will include the work of directors such as Apichatpong Weerasethakul, Danny and Oxide Pang, Yau Ching, Thunska Pansittivorakul, Garin Nugroho, and Jean-Jacques Annaud.

Full details for LGBT 6331 - Gender and Sexuality in Southeast Asian Cinema